Girl Groups
Favorite Girl Groups &
Songs of the '50s & '60s
Tucked between the early street corner Doo Wop groups and the mid-60s British invasion was the phenomenon known as the Girl Groups.
With
names like the Teen Queens, Chantels, the Ronettes, Shangri-Las, Shirelles, and The Crystals, they offered vocal harmonies that was eagerly embraced by a
wide audience.
Starting in 1958, all-Girl Groups became more visible and started to hit the charts with regularity.
A video tribute to 60s Girl Groups.
Dressed in pink prom dresses and behive hairdos, three ladies from the present pay tribute to 60s girl-group pop.
Take time to smile a little and watch Carrie Underwood, Kristin Chenoweth, and Christina Applegate in a 60s medley from 2009 All-Star Special.
Continue below for more content and videos.
Girl Group records addressed themes of special importance to teenage girls.
It marked the first time a music was centered around adolescent girls, with lyrics that were mostly innocent and naive – of the “girl–dealing-with-boy” variety.
This was an exciting era where teenagers were becoming a significant group and the girl group sound and style would occupy a prominent position, emerging in 1956 and dominating the pop charts from 1960 to 1963.
Most girl singers really were girls, with ages ranging from early teens to eighteen in the most popular groups.
Song lyrics were centered around that perfect guy.
Most of their songs, from the Dixie Cups' “Chapel of Love” to the Angels' “My Boyfriend’s Back” and the Chiffons "He's So Fine," focused on the males in their lives and the promise of a satisfying relationship with that perfect guy.
As countless broken-hearted teenage girls cried into their pillows, the "Chantels" delivered an exciting sound in 1958, the year the song "Maybe" rose to #15 on the pop charts, and #2 on the R&B charts.
The song would set the standard for many other harmony groups.
The "Chantels" deeply romantic and melancholy declarations of unrequited love, resembled in some ways, the sweet voiced sounds of the urban black teenage boys singing street corner doo-wop under the lights.
Songwriters and record producers took notice that something new was in play. A female voice was emerging despite all the talented male groups and singers.
The era of the male Doo Wop was not fading, however, the "girls" were definitely moving the spotlight.
Female songwriters were co-writing hit songs for the all Girl Singers.
A number of Girl Group hit songs were co-written by female songwriters, including Carole King and Ellie Greenwich. Rock and Roll had a new female sound that was producing a string of hits.
If, up to that point, male voices and male songwriters dominated the popular music scene, things were changing.
Studio Session Players are a big reason songs become hits.
I have long been a big fan of Session players (studio musicians). Most notable was a group of session players known as The Wrecking Crew from Los Angeles.
The Girl singers rarely if ever performed material they had written themselves and rarely if ever played the instruments featured on their recordings, a job left to studio musicians.
This was also true of other famous bands and artists. For example, The Wrecking Crew performed on all the Beach Boys biggest hits.
Brian Wilson requested these players after hearing the magic they created on Phil Spector productions like Be My Baby, Da Doo Ron Ron and He's a Rebel.
So the lady doo-woppers had their day in the sun, as the gentlemen doo-woopers had had before them. And then exited the stage.
Songs that will make you cry.
"Tear Time" takes you through a feminine emotional experience and will touch your heart with the lyrics, "All it takes is the smallest thought of you ... Then tear time starts crying all night through." Read more ...
FTC Disclosure: If you make a purchase via a link on this site, I may receive a small commission on the transaction - at no additional cost to you. Thank you!
Vinyl Record Lovers - This free newsletter is delivered monthly, straight to your INBOX. It covers all new pages since the last issue. Sign up here ...
I value your trust and will use your email address only two send you the Vinyl Record Lovers newsletter.
"My Boyfriend's Back and you're gonna be in trouble." This story reveals how the lyrics were created for this # 1 song. Read more.
Before they became the Orlons, they were an all-girl quintet called Audrey and the Teenettes. The name Orlons was a tongue-in-cheek nod to the friendly rivalry they had with a popular group at their high school, The Cashmeres. Read their story here.
Listen to the original 45rpm recording of "The Locomotion" and watch the best dance version ever! Read more.
"Looking For An Echo" is street corner music with soul. A time when the ability to sing was mandatory. Read more...
"We practiced in a subway,
In a lobby or a hall
Crowded in a doorway
Singing "Doo-wops" to the wall"
This Darling Lorraine page returns to 1959 and the remarkable story about a determined song writer. Includes memorable video clip with original lead singer. Read more here.
Many consider "In The Still of The Night" to be the anthem of Doo Wop oldies and it would be hard to argue that point giving the year the song was originally released, 1956. Read more.
Signed to the new Gordy label in 1962, this group recorded Berry Gordy Jr.'s "Do You Love Me," resulting in the group's (and label's) first hit. Read the story here.
The Casinos
"Then You Can Tell Me Goodbye."
Will anyone ever record songs like this again? A Beautiful song with perfect harmony and words you can actually understand, make sense and have a meaning. Read more.
